LCC 6210: Media, Representation, and the Design of Information

Janet H. Murray, janet.murray@lcc.gatech.edu,

Wednesdays 1-4 Room will change: We start in the IDT Lab Skiles 346

Office hours: Wednesdays 4-5 or by appointment

Office: Skiles 335b

CoWeb | WebX

| Notes #1 | Notes #2 | Notes #3 | Notes #4 |


Readings:

Sven Birkerts and Janet Murray Debate in HotWired 9 July '97

Walter J. Ong, Orality to Literacy: The Technologizing of the Word, Routledge, 1988 (originally published 1982)

Homer, The Odyssey, Book 9 , available on line at

http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.01.0136&query=book%3D%239

Umberto Eco, Travels in Hyperreality

Janet Murray, Hamlet on the Holodeck and see associated Web links on the HoH Resource Page

Janet Murray, "Principles of Interactive Design" (mss. selections)

Geoffrey Bowker and Susan Starr, Sorting Things Out

Nicholas Negroponte, Being Digital, excerpts

Lumière Brothers, The Arrival of the Train at Ciotat Station (Film, 1895)

Edwin Porter, The Great Train Robbery (Film, 1904)

Mirchael Curtiz, Casablanca (Film, 1942)

Vannevar Bush, "As We May Think", Atlantic Monthly, July 1945

Recommended:

Julian Dibbell, "A Rape in Cyberspace" Village Voice, December 21, 1993

Robert Kolker A Cinema of Loneliness (3rd edition)

Thomas Malory, Mort d'Arthur, originally published 15th century by Thomas Caxton, available on line at

http://www.hti.umich.edu/bin/me-idx?type=header&byte=24047819

Requirements and Grading

- Class Participation 20%

- Weekly exercises @ 30% each

- 3 Projects @ 10% each

- Final Exam (Take home) 20%

Extra credit up to 10% for more elaborate weekly exercises, special helpfulness to other students, locating or reporting on auxilliary artifacts, materials or resources

 

Wednesdays

Prepare to discuss Hand in by noon Tuesday before Class

In Class Critique

Lecture/discussion topic

1

Aug 23

Negroponte

Murray 1

 

Ciotat Station

Great Train Robbery

How do we think about communication and representation? How do we think about the task of information design? what is a medium?

2

Aug 28

Ong, chapters 1-4

 

Web page with list (or links to) surviving oral forms and/or images of early written artifacts. Give examples of conventions that give order to these particular oral or visual communicaton. (For example, grouping things in threes, writing from left to right.)

 

  Media, Memory, and Representation

3

Sept 6

Homer, The Odyssey: Cyclops incident

Murray chapter 5 (note section on Cyclops, p. 137-140)

Using any medium you like (except homeric epic!), sketch out a story or game version of the Cyclops story. Change the story tto suit a different culture or to reflect different cultural values, e.g. a Christian hero of the middle ages, a female hero of the late 20th century, a cowboy hero, etc.

 

Notes on Medium, Code

 

4

Sept 13

Murray 2

Presentation in any medium of a key element of a harbinger story (e.g. one mentioned in the chapter or another one like the movie Run Lola Run or Sliding Doors). What unilinear conventions do these stories violate? what new conventions do they invent to help us to avoid confusion? are they successful?

 

Unisequential, multisequential, multiform narratives

Notes on Transmission, Genre

5

Sept 20

View Casablanca.

Read Eco on Casablanca, pp 197-212

Read Murray on Casablanca game

Make a web page or Director project or storyboard illustrating the representational conventions employed in a single scene of Casablanca

(this could be an abbreviated version, with longer or revised version for next week's project.)

 

 

Class led by Prof. Robert Kolker

6

Sept 27

Murray 3

Vannevar Bush, "As We May Think", Atlantic Monthly, July 1945

Project 1: Foregrounding Representational Conventions

Use the digital medium (web page, director project) to present and critique a representational artifact in any medium. Focus on making clear the conventions of representation.

4 properties of digital media

Do new media make us smarter?

Properties of Digital Media

 

Janet's Notes 3

7

Oct 4

Murray 4 Immersion

Describe an immersive experience that you have experienced(it could involve a digital artifact but it doesn't have to). Was the sense of immersion pleasurable or not?what ended it? Was the experience interrupted? What deepened your sense of immersion? What disrupted your sense of immersion? Your description can be written as a paragraph or it can be a Web page or Director project.

 

Discussion of immersion as an experience and how it is created.

Immersion

 

8

Oct 11

Eco, pp 1-86

 

Create a visual and interactive object on a web page (such as a rollover that swaps images) that illustrates or evokes the experience Eco describes as "hyperreality". The artifact you create must not have any words and it must display some behavior in response to user input.

War of the Worlds excerpt

Boundary Problems

9

Oct 18

Murray 5 Agency

Project 2: Design a simple narrative sequence in which you elicit an action and respond to the action in a surprising and satisfying way. Pay attention to the narrative conventions and to the elements of immersion we have been discussing.

Project Critique

(extra time needed for meetings)

Agency; Scripting the interactor

 

10

Oct 25

 

No class this week:

Holiday

Play role playing game.

 

No class this week:

Holiday

Play role playing game.

No class this week:

Holiday

Play role playing game.

No class this week:

Holiday

Play role playing game.

 

11

Nov 1

Play Role Playing Game

List the conventions that made the game work (if it did). Where were these conventions drawn from? How did you know what to expect? How did you know what to do?

Hand in the answers on WebX or Co-Web

Think about: an improvement to the game

Extra credit: Make up an original Casablanca role playing game

in class, we design an improved version, based on new scenario

Scripting the interactor with culture, genre, convention

 

Active creation of belief

12

Nov 8

PID (handout)

 

Imagine that you are making a database to contain everything you know about your three closest friends. No entry in any one field can be more than 9 words. What are all the fields that would appear in that database?

Create a mock "front end" to the data base either for entering or retrieving the data. Include representational conventions that make clear the absurdity of the task. Can you make the task seem ominous? Can you make the task seem whimsical?

 

In class:

After you write this list, you will be matched with two other members of the class and compare your lists. Make a composite list that captures all the categories.

Data Abstraction:

databases, field,

attribute / value pair

relational data base

13

Nov 15

Bowker and Starr (Intro, pp. 1-32 and Chapter 7, pp 229-254)

A classification scheme for the items in your kitchen drawer or top of your closet or stored in your garage.

A critique of what your classification makes visible or invisible

 

Are all systems of classification culturally biased in some way? Do they hide things as well as reveal them

14

Nov 22

 

(day before Thanksgiving)

 

(no class)

Remember the Thanksgiving taxonomy due next week.

 

15

Nov 29

PID

Project 3 Ontology of a Thanksgiving dinner (solo project)

Make an ontology of all the activities and entities that make up a thanksgiving dinner. For example, the turkey is an object with attributes like how-cooked? (raw, overdone, just right; stuffed/unstuffed), your relatives are also objects with associated "methods" like "cuts turkey" or "argues about sports" etc. Collectively the system captures all of your knowledge about a thanksgiving dinner. (For students from other cultural traditions, you may choose another event, such as an IDT seminar or another family holiday celebration.)

Taxonomies, Ontologies

 

 

16 Dec 6  

Refinement of one of the 3 Projects

   
Finals Week   Date to be announced: Design Final, including definition/example questions and a design problem.