| Notes #1 | Notes #2 | Notes #3 | Notes #4 |
Sven Birkerts and Janet Murray Debate in HotWired 9 July '97
Walter J. Ong, Orality to Literacy: The Technologizing of the Word, Routledge, 1988 (originally published 1982)
Homer, The Odyssey, Book 9 , available on line at
http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.01.0136&query=book%3D%239
Umberto Eco, Travels in Hyperreality
Janet Murray, Hamlet on the Holodeck and see associated Web links on the HoH Resource Page
Janet Murray, "Principles of Interactive Design" (mss. selections)Geoffrey Bowker and Susan Starr, Sorting Things Out
Nicholas Negroponte, Being Digital, excerpts
Lumière Brothers, The Arrival of the Train at Ciotat Station (Film, 1895)
Edwin Porter, The Great Train Robbery (Film, 1904)
Mirchael Curtiz, Casablanca (Film, 1942)
Vannevar Bush, "As We May Think", Atlantic Monthly, July 1945
Recommended:
Julian Dibbell, "A Rape in Cyberspace" Village Voice, December 21, 1993
Robert Kolker A Cinema of Loneliness (3rd edition)
Thomas Malory, Mort d'Arthur, originally published 15th century by Thomas Caxton, available on line at
http://www.hti.umich.edu/bin/me-idx?type=header&byte=24047819
- Class Participation 20%
- Weekly exercises @ 30% each
- 3 Projects @ 10% each
- Final Exam (Take home) 20%
Extra credit up to 10% for more elaborate weekly exercises, special helpfulness to other students, locating or reporting on auxilliary artifacts, materials or resources
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Wednesdays |
Prepare to discuss | Hand in by noon Tuesday before Class |
In Class Critique |
Lecture/discussion topic |
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1
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Aug 23 |
Negroponte Murray 1 |
Ciotat Station Great Train Robbery |
How do we think about communication and representation? How do we think about the task of information design? what is a medium? |
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2
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Aug 28 |
Ong, chapters 1-4
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Web page with list (or links to) surviving oral forms and/or images of early written artifacts. Give examples of conventions that give order to these particular oral or visual communicaton. (For example, grouping things in threes, writing from left to right.)
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Media, Memory, and Representation | |
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3
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Sept 6 |
Homer, The Odyssey: Cyclops incident Murray chapter 5 (note section on Cyclops, p. 137-140) |
Using any medium you like (except homeric epic!), sketch out a story or game version of the Cyclops story. Change the story tto suit a different culture or to reflect different cultural values, e.g. a Christian hero of the middle ages, a female hero of the late 20th century, a cowboy hero, etc. |
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4
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Sept 13 |
Murray 2 |
Presentation in any medium of a key element of a harbinger story (e.g. one mentioned in the chapter or another one like the movie Run Lola Run or Sliding Doors). What unilinear conventions do these stories violate? what new conventions do they invent to help us to avoid confusion? are they successful? |
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Unisequential, multisequential, multiform narratives |
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5
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Sept 20 |
View Casablanca. Read Eco on Casablanca, pp 197-212 Read Murray on Casablanca game |
Make a web page or Director project or storyboard illustrating the representational conventions employed in a single scene of Casablanca (this could be an abbreviated version, with longer or revised version for next week's project.) |
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Class led by Prof. Robert Kolker |
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6
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Sept 27 |
Murray 3 Vannevar Bush, "As We May Think", Atlantic Monthly, July 1945 |
Project 1: Foregrounding Representational Conventions Use the digital medium (web page, director project) to present and critique a representational artifact in any medium. Focus on making clear the conventions of representation. |
4 properties of digital media Do new media make us smarter? |
Properties of Digital Media
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7
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Oct 4 |
Murray 4 Immersion |
Describe an immersive experience that you have experienced(it could involve a digital artifact but it doesn't have to). Was the sense of immersion pleasurable or not?what ended it? Was the experience interrupted? What deepened your sense of immersion? What disrupted your sense of immersion? Your description can be written as a paragraph or it can be a Web page or Director project.
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Discussion of immersion as an experience and how it is created. |
Immersion
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8
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Oct 11 |
Eco, pp 1-86
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Create a visual and interactive object on a web page (such as a rollover that swaps images) that illustrates or evokes the experience Eco describes as "hyperreality". The artifact you create must not have any words and it must display some behavior in response to user input. |
War of the Worlds excerpt |
Boundary Problems |
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9
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Oct 18 |
Murray 5 Agency |
Project 2: Design a simple narrative sequence in which you elicit an action and respond to the action in a surprising and satisfying way. Pay attention to the narrative conventions and to the elements of immersion we have been discussing. |
Project Critique (extra time needed for meetings) |
Agency; Scripting the interactor
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10
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Oct 25
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No class this week: Holiday Play role playing game.
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No class this week: Holiday Play role playing game. |
No class this week: Holiday Play role playing game. |
No class this week: Holiday Play role playing game.
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11
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Nov 1 |
Play Role Playing Game |
List the conventions that made the game work (if it did). Where were these conventions drawn from? How did you know what to expect? How did you know what to do? Hand in the answers on WebX or Co-Web Think about: an improvement to the game Extra credit: Make up an original Casablanca role playing game |
in class, we design an improved version, based on new scenario |
Scripting the interactor with culture, genre, convention
Active creation of belief |
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12
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Nov 8 |
PID (handout)
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Imagine that you are making a database to contain everything you know about your three closest friends. No entry in any one field can be more than 9 words. What are all the fields that would appear in that database? Create a mock "front end" to the data base either for entering or retrieving the data. Include representational conventions that make clear the absurdity of the task. Can you make the task seem ominous? Can you make the task seem whimsical?
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In class: After you write this list, you will be matched with two other members of the class and compare your lists. Make a composite list that captures all the categories. |
databases, field, attribute / value pair relational data base |
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13
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Nov 15 |
Bowker and Starr (Intro, pp. 1-32 and Chapter 7, pp 229-254) |
A classification scheme for the items in your kitchen drawer or top of your closet or stored in your garage. A critique of what your classification makes visible or invisible |
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Are all systems of classification culturally biased in some way? Do they hide things as well as reveal them |
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14
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Nov 22
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(day before Thanksgiving)
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(no class) |
Remember the Thanksgiving taxonomy due next week. |
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15
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Nov 29 |
PID |
Project 3 Ontology of a Thanksgiving dinner (solo project) Make an ontology of all the activities and entities that make up a thanksgiving dinner. For example, the turkey is an object with attributes like how-cooked? (raw, overdone, just right; stuffed/unstuffed), your relatives are also objects with associated "methods" like "cuts turkey" or "argues about sports" etc. Collectively the system captures all of your knowledge about a thanksgiving dinner. (For students from other cultural traditions, you may choose another event, such as an IDT seminar or another family holiday celebration.) |
Taxonomies, Ontologies |
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| 16 | Dec 6 |
Refinement of one of the 3 Projects |
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| Finals Week | Date to be announced: Design Final, including definition/example questions and a design problem. |
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