Books
Selected Publications
Selected Interviews
Selected Reviews
Media Coverage
Jay Bolter and Diane Gromala. Windows and Mirrors: Experience Design, Digital Art and the Myth of Transparency. Cambridge and London MITPress. Forthcoming, Fall 2003
Paul Rand: Modernist Design. Issues In Cultural Theory #4.
Symmes Gardner and Franc Nunoo-Quarco, eds.
Baltimore: The Fine Arts Gallery, University of Maryland County
Distributor Art Publishers (D.A.P.), Forthcoming, 2002
Diane Gromala and Chris Shaw. "Contentious Grounds," In Cambridge and London: MITPress, Forthcoming, 2002
Diane Gromala. "Learning the Languages of Babel: An Approach to New Media Pedagogy," in Education of an eDesigner, Steven Heller, ed. Allworth Press, Forthcoming, August, 2002
Diane Gromala. 1997. "Hype or Hope," book review of Mind Grenades, in Emigré no. 44, an international design journal, (Fall): 8 - 13
Diane Gromala. 1997. "Critical Methodologies for the Visual Design Interface." In ACM CHI. (Association for Computing Machinery1s Computer-Human Interaction Group) acm.org.sigchi/webchi/chi96workshop/papers/gromala.html reprinted by IBM, alphaworks.ibm.com, 1997. This workshop determined guidelines for the critical evaluation of human-computer interfaces. The document argues for the inclusion of critical methodologies of arts and humanities research in the interdisciplinary context of human- computer interaction.
Diane Gromala. 1996. "Recombinant Bodies." In Emigré no. 40, (Fall): 28 - 32, 49 - 55
Diane Gromala. 1996. "Before You Bury Gutenberg . . ." In Emigré no. 39, (Summer): 12 - 17
Diane Gromala, Yacov Sharir. 1995. "Blurring Boundaries: Student Subversion of Technology." In Convergence: Proceedings of The Fifth Biennial Arts + Technology Symposium (The Center for Arts + Technology at Connecticut College): 35 - 38
.
Diane Gromala. 1995. "Dancing with the Virtual Dervish: Virtual Bodies." Essay included in Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser, with Douglas MacLeod. Cambridge: MIT Press. Pp. 281 - 285 and plate 11
.
Diane Gromala. 1995. "Solidarity: Subversive Codes in the Production of Political Change." In Communicating Design, an anthology of design criticism, edited by Teal Triggs. London: Batsford Ltd., pp. 46 - 54
Diane Gromala. 1994. In ZED: The Politics of Design, (Fall):
23-29 "Subversive Technologies in the Production of Political Change."
.
Diane Gromala. 1994. "Virtual Bodies: The Blurring of Disciplinary Boundaries." In Proceedings of the European Simulation Symposium (The University of Bogazici, Istanbul). vol. 1: 191-195
Within." In Movement Research Performance Journal (Spring): 20
Sandhaus, Louise. "Are New Media Programs an Evolution of Graphic Design or a New Species?" In American Institute of
Graphic Arts Journal, vol. 16. No 2
Gromala, Diane and Yacov Sharir, trans. Bernard Schutze. "Danser avec le derviche virtuel: Les Corps Virtuels," In Inter Art Actuel, no. 63, (Autumn 1995):10-13 (French), 49-51 (English)
Shapiro, Nina. "Techies at Work: Insiders Look Ahead to the Next Turn on the Information SuperHighway," In Eastside Week, Dec. 14, 1994. pp. 15-24
Rock, Michael. "Design in the Academy,": In American Institute of Graphic Arts Journal, vol. 13, no. I, 1995. Interview with design professors Ann Bush, Diane Gromala, and Gloria Lee. 20-27
Vander Lans, Rudy. "A conversation with Diane Gromala," Interview and work included in this issue on the future of design education. Émigré 31. Pp. 4-5
Liz McQuiston ., Graphic
Agitation Two: Contemporary Social and Political Graphics. Phaidon
Press, 2003
Stephen Wilson., Information Arts: The Intersections
of Art, Science and Technology. Cambridge, MITPress
Morgan Spalter Anne., The Computer in the Virtual Arts. Reading, MA:
Addison Wesley, 1999
Rush, Michael., New Media in Late Twentieth Century
Art, p.213, London: Thames and Hudson (1999)
Shaviro, Steven., "Virtual Pleasure, Virtual Pain,"
in Art Byte, vol.2, no.1, pp.20-21 (1999)
McQuiston, Liz., Suffragettes
to She-Devils: Women's Liberation and Beyond. London:
Phaidon Press Ltd., 1997. Text discussions: pp. 13, 85, 185. Double
page spread of sixteen images: pp. 186-187
Dyson, Francis., "When is the Ear Pierced?
The Clashes of Sound Technology, and Cyberculture." in Immersed in Technology: Art
and Virtual Environments, pp 73-101 (Mary Ann Moer, with
Douglas MacLeod, Eds.). Cambridge:MITPress (1995)
Hodge, Kelly., "Virtually Speaking." The Edge, vol.3, no.1, pp.4-7
(1994)
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