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Eugene Thacker School of Literature, Communication & Culture Georgia Institute of Technology Atlanta, GA 30332-0165 eugene[DOT]thacker[AT]lcc[DOT]gatech[DOT]edu 404.385.2766 (office) PhD, Program in Comparative Literature, Rutgers University, 2001 Thesis: "Bioinformatic Bodies: Biopolitics, Biotech, and the Discourse of the Posthuman" MA, Program in Comparative Literature, Rutgers University, 1997 BA, English Literature Department, University of Washington, 1994

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Book Projects

Nekros.
A book on the poetics of biopolitics. A "necrology" is the study of the political processes of disease, decay, and decomposition in the body politic. What happens when the pathologies of the body politic fold onto the state of emergency wrought by actual epidemics?

The Exploit (co-authored with Alex Galloway, University of Minnesota Press, 2007). Preview: RSG-LCL [link]
The Exploit is a condensed work of political philosophy which aims to develop a theory of networks. We argue that political theory cannot account for the nature of networks without considering their ontological dimensions, their political affectivity, and their intensive qualities - that is, as nonhuman and unhuman forms. The Exploit therefore considers the relationships between biological and computer networks, epidemics and computer viruses, DNA computing and Internet protocols. The Exploit is an experiment in thinking about networks from a perspective of counter-protocols, life-resistance, and the unhuman.

The Global Genome: Biotechnology, Politics, and Culture (MIT press, 2005).
The Global Genome is a critical study that attempts to comprehend two current trends: on the one hand, the increasingly global coordination of the biotech industry, and, on the other hand, the increasing integration of biology and informatics. The Global Genome pursues these two tendencies through an inter-disciplinary approach, combining the history and philosophy of biology, sociological analyses of contemporary biotech fields, and media studies/cultural studies approaches to new biotechnologies. Chapters on fields such as genomics, tissue engineering, pharmacogenomics, bioinformatics, population genomics, and biowarfare each consider how "the global genome" is effecting both ontological as well as political-economic changes in biological thinking. Through the work of Georges Bataille, Georges Canguilhem, Michel Foucault, Felix Guattari, Karl Marx, and Antonio Negri, The Global Genome aims to highlight key issues in the globalization of biotechnology.

Creative Biotechnology: A User's Manual (co-authored with Natalie Jeremijenko, limited edition multiple and ebook, Locus+, 2004).
Exploring the idea of "garage biotechnology" - a hybrid based upon the "garage computing" movements of the 1970s - this user's manual from Biotech Hobbyist aims to encourage a critical, ethical engagement with biotechnology in the non-specialist public. Examples of Biotech Hobbyist projects included in the user's manual include ASCII_DNA (a set of custom-designed software applications that will translate any text into a protein structure), the Biotech Hobbyist Micropropagation Kit (a step-by-step guide to cloning trees from plant tissue), and PbC (first steps towards producing a personal computer kit that uses DNA). The user's manual also includes a history and background of Biotech Hobbyist, manifestos, working notes, essays by Heath Bunting and Deena Jones, and resources and links to biotech hobbyist related information.

Biomedia (University of Minnesota Press, "Electronic Mediations" series, 2004).
Integrating approaches from science studies and media studies, Biomedia is a critical analysis of research fields that explore relationships between biologies and technologies, between genetic and computer "codes." In doing so, the book looks to emerging fields in which "life" is understood as "information." Focusing on the interactions between genetic and computer codes, or between "life" and "information," Biomedia shows how each kind of "body" produced - from biochips to to nanoprobes to DNA computers - demonstrates how molecular biology and computer science are interwoven to provide unique means of understanding and controlling living matter.

Editor, HARD_CODE: Narrating the Network Society (Alt-X Press, 2001).
An anthology of experimental writing and "codework" for the network age. Available in two versions, electronic and print. Contributors include Matthew Fuller, Abe Golam, Fakeshop, ID_runners, Shelley Jackson, Harold Jaffe, mez, Lance and Andi Olsen, Doug Rice, Steven Shaviro, Rebekah Sheldon, Kenji Siratori, Julia Solis, Alan Sondheim, Steve Tomasula, Don Webb and Doll Yoko. Part of the Alt-X Press book series co-edited by Ron Sukenick, Mark Amerika, and myself.

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Publications in Books, Anthologies, and Catalogs

"Swarming: Number vs. Animal?." Deleuze and New Technology. Ed. David Savat. Edinburgh: University of Edinburgh Press, forthcoming.

"Biophilosophy for the 21st Century." Critical Digital Studies: A Reader. Ed. Arthur and Marilouise Kroker. Toronto: University of Toronto Press, forthcoming.

"Biomedia." Critical Terms in Media Studies. Ed. W.J.T. Mitchell and Mark Hansen. Chicago: University of Chicago Press, forthcoming.

"Data Made Flesh; or, Biomedia and the Body." Towards Humane Technologies: Biotechnology, New Media, and Ethics. Ed. Naomi Sutherland, Peter Isaacs, Phil Graham, and Bernard McKenna. Rotterdam: Sense Publishers, forthcoming.

"Uncommon Life." Tactical Biopolitics: Theory, Practice, and the Life Sciences. Ed. Beatriz da Costa and Kavita Phillip. Cambridge: MIT Press, 2008.

"Open Source DNA and Bioinformatic Bodies." Signs of Life: Bio Art and Beyond. Ed. Eduardo Kac. Cambridge: MIT Press, 2007.

"On Misanthropy" (with Alex Galloway). DATA browser 03: Curating Immateriality. Ed. Joasia Krysa. Brooklyn: Autonomedia, 2006.

"The Limits of Networking" (with Alex Galloway). Censoring Culture: Contemporary Threats to Free Expression. Ed. Robert Atkins and Svetlana Mintcheva. New York: The New Press, 2006.

"Biomaterial Labour and Life Itself." Touch Me Festival: OutInOpen. Ed. Tomislav Medak and Petar Milat. Zagreb: Stara Tvornica Badel, 2005.

"L'incarnation des données: la biotechnologie et la discours du posthuman." Art et Biotechnologies. Ed. Louise Poissant et Ernestine Daubner. Québec: Presses de l'Université du Québec, 2005.

"In Defiance of Existence: Notes on Networks, Control, and Life Forms" (with Alex Galloway). Feelings Are Always Local - DEAF 2004. Ed. Joke Brower et al. Netherlands: V2/NAI, 2004.

"Networks, Swarms, Multitudes." Life in the Wires: The Ctheory Reader. Ed. Arthur & Marilouise Kroker. Victoria: NWP/Ctheory Books, 2004.

"Darwin's Waiting Room." BioMediale: Contemporary Society and Genomic Culture. Ed. Dmitry Bulatov. Kalingrad, Russia: National Center for Contemporary Arts, 2004.

"Database/Body: Digital Anatomy and the Precession of Medical Simulation." Images of the Corpse: from the Renaissance to Cyberspace. Ed. Elizabeth Klaver. Madison: Popular Press, 2004.

"Protocol Is as Protocol Does." Forward for Alex Galloway, Protocol: How Control Exists After Decentralization. Cambridge: MIT, 2004.

"Bacillus globigii, DNS128.6.4.194" debug: Primary Techno Noir. Ed. Kenji Siratori. Lincoln, NE: iUniverse Press, 2004.

"Protocol and Counter-Protocol" (co-authored with Alex Galloway). Ars Electronica 2003: Code - The Language of our Time. Linz, Austria: AEC/Springer, 2003.

"DNA, Data, and Biomedia." Larger Than Life: EMAF (Electronic Media Art Festival) Catalog, 2003.

"Strength of Binding&tc" Diagram: An Anthology of Text, Art, and Schematic. Ed. Ander Monson. Washington, D.C.: Del Sol Press, 2003.

"Black Magic Biotech & Dark Markets." Sarai Reader: Shaping Technologies. Ed. Sarai Collective, 2003.

"Bio-War & Info-War: The Technoscientific Enhancements of National Security." "n" Catalogue. London: Locus+, 2001.

"Regenerative Medicine: We Can Regrow It For You Wholesale." Machine Time - DEAF '00 Catalog. Ed. Joke Brouwer et al. Rotterdam: V2/NAI, 2000.

"Performing the Technoscientific Body: RealVideo Surgery and the Anatomy Theater." Body Modification. Ed. Mike Featherstone. London: Sage, 2000.

"The Thickness of Tissue Engineering." LifeScience: Ars Electronica '99. Ed. Gerfried Stocker et al. Linz, Austria: Springer, 1999.

"This Quintessence of Your Blood." Degenerative Prose: Writing Beyond Category. Ed. Mark Amerika and Ronald Sukenick. Normal: FC2/Black Ice Books, 1995

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Publications in Academic/Peer-Reviewed Journals

"Nine Disputations on Theology and Horror". Collapse vol. IV (2008).

"Thought Creatures". Theory, Culture & Society 24.7-8 (2008): 327-29.

"Pulse Demons". Culture Machine 9, "Recordings" (2007).

"Biological Sovereignty". Pli: The Warwick Journal of Philosophy 17 (2006/2007).

"Biophilosophy for the 21st Century". CTHEORY (September 2005).

"Networks, Control, and Life-Forms" (with Alex Galloway). SIGGROUP Bulletin 25.2 (2005): 2-8.

"Living Dead Networks". Fibreculture, Issue 4 (2004).

"Nomos, Nosos, and Bios in the Body Politic". Culture Machine 7, "Biopolitics" (2005).

" Networks, Protocol, and Control" (with Alex Galloway). Grey Room 17 (2004).

"Networks, Swarms, Multitudes" (parts one & two). CTHEORY (May 2004).

"What is Biomedia?" Configurations 11.1 (Winter 2003).

"Bioinformatics and Bio-Logics." Postmodern Culture 13.2 (2003).

"Data Made Flesh: Biotechnology & the Discourse of the Posthuman." Cultural Critique 53 (Special Issue on Posthumanism; Winter 2003).

"Biohorror/Biotech." Paradoxa 17 (Special Issue on Horror; 2002).

"Bio-X: Removing Bodily Contingency in Regenerative Medicine." Journal of Medical Humanities 23:3/4 (Winter 2002).

"The Incorporate Bodies of Recombinant Capital." Dialectical Anthropology 26:1 (2001).

"Touch of the Surgeon: A Philosophical Perspective on Telesurgery." Simulation and Gaming 32:3 (September 2001).

Co-editor, "Tech-Flesh: Critical Responses to the Human Genome." CTHEORY Special Issue (May 2001).

"Lacerations: The Visible Human Project, Impossible Anatomies, and the Loss of Corporeal Comprehension." Culture Machine 3, "Virologies" (2001).

"Redefining Bioinformatics: Corporealizing Technoscientific Bodies." Enculturation 3.1 (Fall 2000).

"SF, Technoscience, Net.art: The Politics of Extrapolation." Art Journal 59:3 (Fall 2000).

"The Post-Genomic Era Has Already Happened." Biopolicy Journal (Fall 2000).

"Fakeshop: Science Fiction, Future Memory & the Technoscientific Imaginary." CTHEORY (15 March 2000).

"Database/Body: Bioinformatics, Biopolitics, and Totally Connected Media Systems." Switch: The New Media Art Journal of the CADRE Institute (February 2000).

"The Thickness of Tissue Engineering: Biopolitics, Biotech, and the Regenerative Body." Theory and Event 3:3 (Fall 1999).

"Bioinformatics: Materiality & Data between Information Theory and Genetics Research." CTHEORY (28 October 1998).

"Visible_Human.html: Digital Anatomy & the Hyper-Texted Body." CTHEORY (2 June 1998).

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Media, Art, and Literary Publications

Book reviews for Leonardo Digital Reviews, 2003-present.

"Exobiologies,"' catalog text for Daniel Canogar exhibit, Sala Parpallo Gallery, forthcoming.

"A Review of Morton Feldman's String Quartet No. 2," Leonardo 41.2 (2008).

"Biopoetics; or, a Pilot Plan for a Concrete Poetry," Electronic Book Review (5 October 2007).

"Astrobiologies," catalog text for Shane Hope exhibit, Project Gentili Gallery, 2007.

"Cryptobiologies," ArtNodes Journal, Issue 6 (November 2006).

"Language, Life, Code" (with Alex Galloway), Architectural Design, " Collective Intelligence in Design" issue (September/October 2006), 26-30.

"An Era of Zoe and Bios? A Conversation with Eugene Thacker" Kritikos: A Journal of Postmodern Culture, Sound, Text, and Image (2006).

"Sovereignty and the State of Emergency" (w/ Alex Galloway), Kritikos: A Journal of Postmodern Culture, Sound, Text, and Image (2005).

"More Than Many? Paolo Virno's A Grammar of the Multitude," Politics and Culture 3 (2005).

"Bats, Rats, and Packs," "Animality," ed. Ron Broglio. Electronic and limited edition print version, December 2004.

"Three Lessons on Pop Biotech," GeneWatch: The Magazine of the Council for Responsible Genetics 17.4 (July-August 2004).

"The Limits of Networking" (co-authored with Alex Galloway). Posted to Nettime (15 March 2004).

"The DNA of Culture." GeneWatch: The Magazine of the Council for Responsible Genetics 17.2 (March-April 2004).

"Genetic Difference in the Global Genome." Leonardo Electronic Almanac 11.11 (November 2003).

"Body Horror is Back (Because it Never Left)." Mute Magazine online (24 September 2003).

"Aesthetic Biology, Biological Art." Contextin Art/Artofficial Construction Media. Originally posted on Nettime and Rhizome.org, 2003.

"State Biophilosophy." Mute Magazine online (18 September 2002).

"Quantum-dot-tagged Microbeads&tc" Drunken Boat, 2002.

"Shattered Body, Shattered Self." Afterimage 29:5 (March/April 2002; Special Human Genome Supplement).

"Darwins Wartezimmer (Darwin's Waiting Room)." Kunstforum International (Special Issue on Transgene Kunst; Janurary-March 2002).

"The Anxieties of Biopolitics." Infopeace.org (The Information, Technology, War, and Peace Project; Winter 2001).

"Open Source DNA?" Workshop text for "Wizards of OS 2: Operating Systems and Social Systems" conference, October 11-13, 2001. Berlin.

"Diversity.com/Population.gov." The Walker Arts Center Gallery 9 (for the project "Harvesting the Net" by Diane Ludin; Spring 2001).

"The SF of Technoscience: The Politics of Simulation & A Challenge for New Media Art." Leonardo (SIGGRAPH special issue, Fall 2001).

"The Human Genome Race Considered As A High-Speed Data Dump." Posted on Nettime, 2001.

"New York Dolls: A Review of Behind Closed Doors: The Art of Hans Bellmer, at ICP, and Poser software application, by MetaCreations." The Thing Reviews (1 May 2001).

"Participating in the Biotech Industry: Notes on the Gene Trust." The Alternative Museum website (December 2000)

"The Presence of Both Stochastic&tc" 5trope, 2000.

"Strength of Binding&tc" Diagram, 2000.

"Two Disquisitions" Flashpoint, 2000.

"Point-and-Click Biology: Why Programming is the Future of Biotech." Mute Magazine Issue 17 (Summer 2000).

"GEML: Gene Expression Markup Language" Posted on Nettime, 2000.

"Can the Digital Become Excremental? - Bataille, Expenditure, and Web Pornography." Data Trash - Catalogue for the DA-DA-Net "Trash Art" Festival (May 2000).

"Technoscience & the Politics of Extrapolation: The Disappearance of Genre SF." The Thing Reviews (27 January 2000).

"In Vitro Torsional Stability&tc” Black Ice Magazine, 1999.

"Bioinformatics & Biocapitalism in the Race to Map the Human Genome." *spark: Exploring Electronic Consciousness (December 1999).

"The Visceral Loss of Definition: Monstrous Bodies on the Web." The Thing Reviews (4 August 1999).

+ publications in various 'zines & journals, 1994-present.

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Conferences and Workshops

Invited panelist, "Art in the Age of Terrorism", part of the World Science Festival, Eyebeam Atelier, New York, 29 May 2008.

"After Life," Recoded: Landscapes and Politics of New Media, Centre for Modern Thought, University of Aberdeen, Aberdeen, 24-25 April 2008.

"Notes on Extinction," Bodyworks Seminar, Duke University (Information Science & Information Studies Program), 22 April 2008.

"Pathological Immanence," Society for Literature, Science, and the Arts (SLSA) Conference, Portland, 1-4 November 2007.

"Extinction and Existence," keynote talk: Neurotica: BioII, Intermediae-Matadero, Madrid, 20 October 2007.

"After Life," keynote talk: Netze, Schwarme, Massen: Kollektive Ohne Zentrum, University of Basel, Basel, 12-13 October 2007.

"Pestilence and Political Theology," Society for Literature, Science, and the Arts (SLSA) Conference, New York, 9-12 November 2006.

"The Body Politic and the Living Dead," Society for Literature, Science, and the Arts (SLSA) Conference, Amsterdam, 13-16 June 2006.

"Necrologies: Bare Life and the Body Politic," Materiafutura: Biopolitics, Communication, Racism, University of Naples, 26-27 May 2006.

"Epidemic and Endemic," Beyond Biopolitics: State Racism and the Politics of Life and Death, CUNY, 16-17 March 2006.

"Swarms: A Discussion", with curators Abbott Miller and Ellen Lupton, and biologist Deborah Gordon. The Fabric Workshop and Museum, 3 March 2006.

"Swarm Intelligence: Number vs. Animal?," Society for Literature, Science and the Arts Conference, 10-14 November 2005.

"'Amorphous but Coordinated': Swarming and the Ontology of Enmity," Beyond Terror workshop, Watson Institute for International Studies (Brown University), 3-4 June 2005.

"DNA, Data, and Biomedia," Bodyworks Seminar, Duke University (Information Science & Information Studies Program), 21 April 2005.

"Biology, Code, and War: The Biopolitics of U.S. Defense Initiatives," Defense: Models, Strategies, Media, University of California at Irvine (Dept. of Film and Media Studies), 7-9 March 2005.

"Biopolitics and Biodefense," Starter Culture: Building a Critical Public for the Biotech Century, Center for Advanced Visual Studies (CAVS)/16 Beaver Group, MIT, 29 October 2004.

Invited speaker, "Bioinformatics: Perspectives from the Humanities and Social Sciences," BiCoMB Bioinformatics Seminar Series, Department of Biology, Georgia Tech, 11 October 2004.

"Flesh Made Data, Data Made Flesh," Augmented Bodies panel, 4S conference, Atlanta, 15-18 October 2003.

Panelist, "Identifying Sites of Struggle in the Life Sciences," Next 5 Minutes festival, Amsterdam, 11-14 September 2003.

"DNA, Data, and Biomedia." EMAF - European Media Art Festival, Osnabruck, 23-27 April 2003.

"Life-Extension and Life-Intension." Workshop paper, Center for Biomedical Ethics, McGill University, 11-14 April 2003.

"Bioethics and Bio-ethics." Workshop paper, Towards Humane Technologies Conference, University of Queensland, Australia, 15-17 July 2002.

"Biotech Hobbyist: Will the PC Happen to Biotech?" Technopoetry Festival, Georgia Institute of Technology, 1-2 April 2002.

"Wet Data: Biomedia and BioMEMS," 4S (Society for the Social Studies of Science) Conference, 1-4 November 2001.

"Molecules That Matter: Nanomedicine & the Advent of Programmable Matter," MLA (special session: Under the Skin - Medical Imaging and the Virtual Body), 27-30 December 2000.

"Regenerative Medicine & Biotechnical Speed," DEAF - Dutch Electronic Art Festival, V2/Rotterdam, 8-10 November, 2000.

Invited respondant, "How to Understand Genetic Information - And Why?" Center for Advanced Technology at NYU, 24 October, 2000.

"Regenerative Medicine: We Can Regrow It For You Wholesale," Society for Literature & Science, Georgia Institute of Technology, 5-8 October 2000.

"The SF of Technoscience: The Politics of Extrapolation & A Challenge for New Media Art," SIGGRAPH 2000 convention, ACM SIGGRAPH, New Orleans, 24-28 July 2000.

"Data Made Flesh: Biotechnology & the Discourse of the Posthuman," Crossroads in Cultural Studies 2000, Birmingham University, 21-25 June 2000.

"SF, Technoscience, Net.art," Equinoxes 2000 Conference: Science/Culture, Brown University, 10-11 March 2000.

"Impossible Anatomies: The Visible Human Project and the Reverse Engineering of the Body." Society for Literature & Science Conference, Univ. of Oklahoma, 7-10 May 1999.

"Digital Viscera: The Visible Human Project and Digital Anatomy," presentation at Ars Electronica, Linz, Austria, 4-10 September 1999.

"Formless Anatomy: Expropriations of Biological Discourse in Bataille, Ballard, and Wittig," The International Festival of Postmodern Piracy & Transgendered Subjects, Kent State Univ., 14-16 April 1999.

Organizer, "Technology & Globalization" panel, New World (dis)Orders: Globalization, Culture, Identity, Rutgers University, Program in Comparative Literature, 18-19 February 1999.

Organizer, [techne] multimedia shows, lectures, online activities, Rutgers University, 1997-2001.

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Selected Art Projects

BmTP, Biomolecular Transport Protocol (software, a-life, bioinformatics). Part of the Biotech Hobbyist project, 2002-2003.

PbC, Personal Bio-Computing (kit-based, biomedia). Part of the Biotech Hobbyist project, 2003.

ASCII_DNA (software & utilities). Exhibited at: Technopoetry Festival, Georgia Tech, April 2002. Part of the Biotech Hobbyist project.

ftp_formless_anatomy (web, text, animation). Exhibited at: FILE2001 Electronic Language International Festival, Sao Paolo, Fall 2001; Riding the Meridian, Fall 2000; Arts Entertainment Network/"Let's Entertain," Walker Arts Center, February-May 2000; Ars Electronica Festival, Linz, Austria, September 1999. Part of the Rhizome Artbase permanent collection.

Fakeshop, core member, 1997-2001 (art group, multimedia, installation, performance, web). Exhibited at: Whitney Biennial 2000 (Internet Art Categor), Whitney Museum of American Art, March-May 2000; SIGGRAPH Art Gallery, New Orleans, July 2000; "Particle Accelerators," Photographic Resource Center, Boston, 2000; Andernorts/Elsewhere, AM ORT, Berlin, Fall 2000; "Net Affects," PAVU, Amsterdam, May 2000. Performances: The Kitchen NYC, 2001; Eyebeam space, NYC, 2000; Next 5 Minutes festival, Amsterdam, Spring 2000; Ars Electronica Festival, Linz, Austria, September 1999; Gavin Brown Gallery, NYC, 1999; Tonic, NYC, 1999; Walker Hill Art Gallery, Seoul, Fall 1998. Sound projects: Fakeshop.au (MP3 album, online at Orang, 2000); Fake-actions (self-produced CD, 1999); WKCR Electronic Music Festival, 1998.

Bionet::Recombinant (web, text). Exhibited at: Turbulence.org, Fall 1999.

flesh/threshold/narrative 3.0 (web, hypertext). Exhibited at: "Gravitational Intrigue: An Anthology of Emergent Hypermedia" (Issue 22 - CD-ROM), The Little Magazine, Summer 1999; Hyper-X Network Installation, hosted by Alt-X, Spring 1997; Blast 5: Drama, hosted by Blast/X-Art Foundation, Fall 1995. Performances: [techne] event, Rutgers University, 1998.

Psychogeography.net (web, installation). Exhibited at: [techne] event, Rutgers University, Spring 2000.

Biotic Components (web). Exhibited at: Conflux, Summer 1999; FUSE: Beyond Typography Conference, San Francisco, 1998.

Bioinformatics (web). Exhibited at: frAme - The Culture and Technology Journal (online), Spring 1999; Digital Dirt, hosted by CTHEORY, Fall 1998.

Organogenesis (web). Exhibited at: M/C/T (Media/Culture/Technology; online), 1999.

MEDPORN Database (web). Exhibited at: Slant.org: Asian-American Artists & Censorship, Spring 1999; "Trash Art Festival," Moscow Media Lab, 1999.

Curator, "[techne]W3LAB: works-in-progress/works-in-process," hosted by [techne], Winter-Spring 1999, and presented at the Rutgers University conference "New World (Dis)Order: Globalization, Culture, Identity."

embody/dissolve (web, text, animation). Exhibited at: Leonardo Electronic Almanac, Winter 1999.

Flesh/Threshold/Narrative 2.0. Self-printed, limited edition multiple, 1999.

Sketches for Biotech Research (CD). Extreme Records, 1998.

Decompositions (collaboration with Merzbow). Part of Merzbox: Extreme Records Merzbow boxset (CD). 1997.

Bataille/body/noise (web, text, audio). Exhibited at: Perforations, Issue 15, 1997.

DecayHeraclitusMatrix: Fin-de-millennium Hypertexts. Website & self-printed multiples, 1997.

Recombinant (hypertext). Exhibited at: Basilisk, Issue 2, 1996.

Nine Fragments for W.C. by Georges Bataille. Self-produced CD, (very) limited edition. 1996.

Maldoror (web, text). Exhibited at: Brat Media Arts, in conjunction with The Drawing Center and the Museum of Modern Art's exhibit on Antonin Artaud, Spring 1996.

Into the Influx Incision: Selected Writings. Book design by Marie Thacker. Mercury Arts Publishing, limited edition multiples, 1994.

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Professional Associations & Collaborations

Editorial board, Ctheory.

Editorial board, Leonardo Book Series, MIT Press.

Editorial board, Alt-X Digital Publishing.

Collaborator, Biotech Hobbyist, 2001-2005.

Collaborator, Fakeshop, 1997-2001.

Co-director, BioMedia Studio, Georgia Tech, 2001-2005.

Director, [techne] digital arts organization, 1997-2001.


Press

Features in Arte ("Arte Arts News," French TV, 1999), CNN ("Cnndotcom," national TV, 2000), Massive Change Radio (Univ. Toronto, 2004), NJN/PBS ("State of the Arts," New York/New Jersey TV, 2000), ORF (Austrian Broadcasting Corporation, radio, 1999), and Wired News. Other mentions in Chronicle of Higher Education, New York Times, Tate Magazine, The Village Voice...

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