Supplemental reading Edmund Burke on The Sublime and the Beautiful Images from Claude, Poussin, and Rosa and more Art Archive at Artcyclodedia Images for Gombrich's Art and Illusion chapters 1-2 Cozen's New Method and projection of mental set onto inkblots Images for Ann Bermingham's Landscape and Ideology chapters 1-2 Poems by John Clare: Helpstone
Green, The
Wood-cutter's night Song, The
Lament of Swordy Well, the
mores, Poems and prose by William Wordsworth and Dorothy Wordsworth on landscape. Anne Bermingham's Landscape and Ideology chapter 3 (note pdf file is under e-reserve for LCC Prof. Philip or click here http://www.library.gatech.edu/resv/lcc/6320/philip/10cpr.htm ) Kodak's web site: Top 10 Techniques and Beginning Composition Broglio "The Picturesque and the Kodak Moment" Galessi's "Before Photography"; Images and Notes on Galassi PROJECT 1: From the Picturesque to Kodak Gombrich, links to "Ambiguities of the Thrid Dimension" "The Analysis of Vision in Art" & Images Notes to "Vision, Representation, and Technology in Descartes" Notes on Ch. 1, Some different representations of light in art, following Levin, Ch. 1 Ponty's "Cezanne's Doubt" and "Eye and Mind" & the paintings by Cezanne Keates. "An Outline of the Visual System" and "Visual Perception and Map Interpretation" PROJECT 2: The Relationship between Sight and Thought Comix Irony: Roy Liechtenstein in The Tiny Four Room Gallery and Whamm Renaming, try giving a different title to these: Van Goth's Self Portrait and Let Us Now Praise Famous Men Collage
Film Montage in Class: for what Manovich calls "ontological montage": Sergei Eisenstein's The Battleship Potemkin; Luise Bunuel's Un Chien Andalou; and for stylistic montage: Roberto Rossellini's Rome: Open City. For Hollywood seamlessness yet montage, Elia Kazan's On the Waterfront. Project 3: Digital Image and Crafting New Representations
|
