Terms for Project 1

Burke
Part V Sect. XI Vibrating eye, strain of traveling eye. How light of image works on the eye. Single Moment.
Sect. X Piddling action vs. uniform tension. One object at a time.
Sect. XIII The eye must meet something to detain it a proper amount of time.
Sect. XX Beauty = smoothness. Compare with other senses.

Gilpin
- Picturesque- Roughness (surface) & Ruggedness (delineation) 6
Example: Ruins 7-8
- Features: Composition, Unify variety of diverse parts, Variety 19
Effect of light & Shade "richness" "catching light" 20-21
Color 21
- Prospect view with survey vs. anatomize matter 26
- "happy union of simplicity and variety" 30-33

Gombrich
- Message & code 39
- Mental set 58-60
- not start with image but with concept. concept misses some data in the land. Landscape is our way of organizing data into information. Classify. Schema 73
- Art is a language 86-88

Gainsborogh
Bermingham ch. 1
-Use of Allee 35
-Part for whole. Synecdochic. "palpable materiality" 37
-Use of Enclosure. 39
- Nostalgia & Antiurban characters 40
- Cottage door scenes and Voyerism (contact / alienation) 46
Bermingham ch. 2
- Gainsborough as artistic personality with personal response to space 60-61
- Price against the Prospect View 67
- Temporal nature & Touch 69-70
- Dialectic of Industrial Obj. and Popularization of Picturesque 84
- Sketch & Ruin…production 84-85 Vignette 85

Constable
Bermingham ch. 3
- Role of Metonymy 96
- Naturalism, Roaming eye, no coulisse, no center. 122-23
- Golding C's Garden paintings. 126
objectivity of window vs. subjective window as eye
- Sketch is way of gathering feelings & associations
compared to sketch as study for final painting 129
- "Naturalized" Laborer vs. Spectator 144
- Nature as beautiful chaos 153-54

Galessi
- Three Choices in Perspective Picture
1. arrangement of subject (or moment)
2. point of view
3. scope or frame
- “measured stage" vs "an uninterrupted field of potential pictures"
- “picture made up of bits” and a “picture of bits”