The goal of this course is to introduce you to the new field of Performance Studies. We will begin by looking at some of the basic features of the traditional performing arts (text, performer, audience) and examine how Performance Studies construes and extends those concepts. In the second part of the course, we will consider the expansion of the concept of performance to everyday life and identify categories (gender, race, class, sexuality). In the final section of the course, we will look at five major genres of cultural performance: play, ritual, ceremony, social drama, and carnival. Throughout the course, the emphasis will be on mastering concepts and definitions basic to Performance Studies and applying them analytically.
Download the SyllabusTraditionally, the study of music has focused on texts (scores, piece) and relegated performance to a secondary position at best. Theatre and performance studies focus on performance but have generally neglected the study of music. This course is an attempt to bridge that gap by exploring approaches to analyzing music as performance using methods and insights drawn from performanc estudies, musicology, sociology, geography, and cultural studies. We will focus primarily on rock and popular music, with some consideration of the performance of classical music
Download the SyllabusExamines contemporary theories of performance in relation to the production of scientific knowledge and technologies of representation.
The course addresses several topics and questions, including:
The basic intention of the course is to use Performance as a heuristic for thinking about the material practices of Science and Science as a heuristic for thinking about Performance.