As biotechnology defines the new millennium, genetic codes and computer
codes increasingly merge—life understood as data, flesh rendered
programmable. Where this trend will take us, and what it might mean,
is what concerns Eugene Thacker in this timely book, a penetrating
look into the intersection of molecular biology and computer science
in our day and its likely ramifications for the future. |
Contrary to Donald Norman's famous dictum, the authors argue that
we do not always want our computers to be invisible "information
appliances." Rather, they say that a computer is a medium that
is taking its place beside other media like printing, film, radio,
and television. As a medium, the computer creates new forms and
genres for artists and designers. Bolter and Gromala argue that
invisibility or transparency is only half the story; the goal of
digital design is to establish a rhythm between transparency—made
possible by mastery of techniques—and reflection, as the medium
itself helps us understand our experience of it.
As a purest form of experimental design, Bolter and Gromala
show what digital art has to offer to Web designers, graphic artists,
interface designers, HCI experts, and, for that matter, anyone interested
in the cultural implications of the digital revolution.
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