"From the outset, we see, in the dialectic of the eye and the gaze, that there is no coincidence, but, on the contrary, a lure. When in love I solicite a look , what is profoundly unsatisfying and always missing is that --You never look at me from the place from which I see you."  --Lacan

 
 

Ron Broglio's Curriculum Vitae updated 4/08
   

Assistant Professor 18th Century and Romanticism
School of Literature, Communication, and Culture
686 Cherry St. Skiles Hall room 327
Georgia Tech 30332-0165 || ph. (404) 894-1159

Ron Broglio's research focuses on how philosophy and aesthetics can help us rethink the relationship between humans and the environment. His book Technologies of the Picturesque: British Art, Poetry, and Instruments 1750-1830 covers technology in the British landscape aesthetic. He is finalizing a second book on animals in contemporary art called On the Surface and is contracted to write Eagle for Reaktion Books' Animal Series. Meanwhile, he is making a documentary about contemporary animal artists and is commissioned to create an art instillation on meat and dairy cattle.

Broglio continues publishing on the visionary poet William Blake and writes occasional essays on digital humanities. He has received fellowships at the Huntington Library and Yale Center for British Art. He is associate editor of Romantic Circles and book review editor of Configurations. Broglio's essays appear in Journal of Visual Culture, New Formations, The Wordsworth Circle, Praxis, TEXT Technology, AI and Society, and Visible Language among others.

  email: ron.broglio@lcc.gatech.edu
  Education PhD Romanticism and Literary Theory. University of Florida. August 1999 Dissertation:"Romantic Transformation: Visions of Difference in Blake and Wordsworth."Directed by Donald Ault 

MA British Literature. Boston College. May 1993 

World Religions. Loyola University of New Orleans. 1989-91 

BA English/Philosophy. St. Meinrad College. May 1988 English. Spring Hill College. 1984-86 

   
  Awards

Scholar and artist in Residence for Critical Media Lab and Render Art Gallery, University of Waterloo, Summer/Fall 2009.

Culture and Animals Foundation Grant, Summer 2008.

Georgia Tech Undergraduate Research Opportunities Program materials and supplies award, Spring 2008.

Research Fellowship, University of Bergen, Norway, Fall 2007 (received for work on MOOs and Romantic literature but declined).

Residential Fellow, Yale Center for British Art, Spring 2008.

Robert R Wark Fellow, Huntington Library, Summer 2006.

Class of 1969 Teaching Fellowship, Georgia Institute of Technology, Fall 2003.

Marion L. Brittain Teaching Fellowship, Georgia Institute of Technology, Fall 2000-Spring 2002. 

   
  Publications

Book

Technologies of the Picturesque : British Art, Poetry, and Instruments 1760-1830. Part of Buckenll Studies in Eighteenth-Century Literature and Culture Series, Bucknell University Press, Spring 2008.

Some Reviews of Technologies of the Picturesque.

On the Surface: Thinking with Animals and Art. Manuscripted to be completed Jan. 2009.

Eagle. Animal Series. Reakton Books. Under Contract for 2010.

Film

Animality. Documentary film. Executive Producer and co-director. pdf about the project . Finish shooting Spring 2009 with release in Fall 2009.

Articles

"Thinking about Stuff: Posthumanist Phenomenology and Cognition." AI and Society . Solicited for special issue and under revision.

"Deleuzian Strolls, Wordsworthian Walks and MOO Landscapes." in New Media/New Methods: a turn from literacy to electracy . Ed. Marcel O'Gormand and Jeffery Rice.   West Lafayette, IN: Parlor Press, forthcoming, at press .

"Building Better Beef: Biotech and the Construction of Cattle" Second Nature . Ed. Jenny Sundén and Rolf Hughes, forthcoming.

"Introduction." Configurations special double issue on animals. Ed. Ron Broglio and Richard Nash. Volume and Issues: 14.3/15.1.

"Heidegger's Shepherd of Being and Nietzsche's Satyr." New Formations, 64 Spring 2008.

"'Living Flesh': Human Animal Surfaces and Art." Journal of Visual Culture, 7.1 April 2008.

"'The best machine for converting herbage into money': Romantic Cattle Culture." in Consuming Culture . Ed. Narin Hassan and Tamara Silvia Wagner. Lanham, Maryland: Lexington Books, 2007. in Word.

"William Blake and the Novel Space of Revolution." Image/TexT, 3.2 2007.

"Making Space for Animal Dwelling." (A) fly (Between Nature and Culture) Ed. Bryndis Snaebjornsdottir and Mark Wilson. National Museum of Iceland, 2006. 21-27. Also translated into Icelandic in the same publication.

"Criticism from Inside the Poem: MOOs and Blake's Milton" TEXT Technology. 13.2. 83-90. in pdf.

"The Romantic Cow: Animals as Technology." The Wordsworth Circle . Summer 2005. a version in pdf

Editor Special Issue "Digital Designs on Blake" Praxis. January 2005.

"Living Inside the Poem: MOOs and Blake's Milton" Praxis. January 2005.

Editor and Contributor to Animality. December 2004.

Broglio, Ron, and Steve Guynup.   "Beyond Human, Avatar as Multimedia Expression." Virtual Storytelling. Using Virtual Reality Technologies for Storytelling : International Conference ICVS 2003. Lecture Notes in Computer Science . Springer-Varlag, 2003. 120-23.

"Living inside the Poem: Enhancing English Literture Classes with MOOs" co-authored with Aditya Johri. Keeping Learning Complex: The Proceedings of the fifth International Conference of Leraning Sciences. Ed. P. Bell, R. Stevens, and T. Satwicz. Mahwah, NJ: Erlbaum, 2002. 512-13.


"Mapping England." The Wordsworth Circle. Spring, 2002. draft version

"The Picturesqueand the Kodak Moment." Praxis, Winter 2002.

"Becoming-Zoa," Visible Language, Fall 1999, 33.2  The  essay in pdf.

"Digging Transformation in Blake: What the Mole Knows about theNewMillennium," co-authored with Marcel O'Gorman and William Ruegg. TheWordsworth Circle , Summer 1999, 30.3. The web version/ The  print version in pdf
 

Book Reviews

Humans and Other Animals in Eighteenth-Century British Culture: Representation, Hybridity, Ethics. Editor Frank Palmeri. Aldershot: Ashgate, 2006. Society and Animals. Forthcoming, Fall 2008.

Gorgio Agamben's The Open and Steve Baker's Postmodern Animal. Parallax. 38 Spring 2006. 135-38.

Graham Burnett’s Masters of All They Surveyed. Configurations. forthcoming.

Jerome McGann’s Radiant Textuality. Romantic Circles. Summer 2003

Angela Dalle Vacche’s The Visual Turn: Classical Film Theory and Art History. Frameworks. Spring 2003

Christine Kenyon-Jones’s Kindred Brutes. The Wordsworth Circle. Fall 2002.

Laura Otis's Membranes. The Wordsworth Circle. Spring 2001.

Jonathan Bate's Song of the Earth in Romanticismon the Net. August 2001.

Kathleen Lundeen's Knight of the Living Dead.in Pacific Coast Philology. Fall 2001. in pdf

David Stevens's William Blake: Selected Works.The Eighteenth Century: A Current Bibliography. Fall 2000.

Other

Recorded interview "Animality" for Eyedrum Art Gallery Series Delayed from Edge City. July 15, 2006.

     
  Work in Progress

On Surfaces: Thinking with Animals and Art. manuscripted to be completed January 2009.

Ongoing construction of MOO spaces  for Romantic Circles. Projects include FrankenMOO, Romantic Animals, Clouds of Constable 

     
  Presentations
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

By Invitation of the School or Department or Organization

"Logic of the Surface" British Animal Studies Network, London, July 28, 2007.

"Staying on the Surface of Things: Nagel, Uexkull, and Contemporary Animal Art" Penn State University, April 2 2007.

"British Beef circa 1800" Scholarly Sustenance Series. Huntington Library, July 30, 2006

"Embodied Textual Performances in MOOs" Vassar, April 1, 2004.

"Cultured Cows: from Bucolic to Beef in the Picturesque" 18 th Century Reading Group, City University of New York, October 10, 2003.

"Mapping England: Optics and Aesthetics in British Romanticism" Stockholm University, Stockholm Sweden, September 22, 2003.

Speaker and workshop leader for "Humanists as Actors: Computing in the Humanities" Blekinge Institute, Karlskrona, Sweden, May 17-23 2003.

"Using the Internet in Literature Classrooms" Workshop presentations. Episcopal High School. Jacksonville Florida. June 4, 2002 and August 14, 2002.

Invited Class Lectures

"Ways of Using Animals in Contemporary Art" Georgia State University, April 11, 2008.

"Between thinking and art" Georgia State University, March 30, 2007

"Ethics and Livestock" Emory University, March 29, 2007

"Situating Romanticism in Contemporary Art Practice" Georgia State University, February 1, 2005.

Conferences
"Biotech and Cattle" Cultural Studies Association Conference. Portland, April 2007.

"Biopower and Livestock" Seminar Cultural Studies Association Conference. Portland, April 2007.

"Building Better Beef: Biotech and the Construction of Cattle" Society for the Study of Literature, Science, and Art. New York, November 2006.

"Wordsworthian Walks and Deleuzian Strolls" North American Society for the Study of Romanticism. Purdue. August 2006.

"Figuring with Animals" Society for the Study of Literature, Science, and Art. Chicago, IL. November 2005.

"Less Sex, More Beef: Building a Nation in 19th-Century Britain" South Atlantic Modern Language Association Conference. Atlanta, November 2005.

"Romantic Cows: Animals as Technology" Modern Language Association. Philadelphia, December 2004.

"Surface of the Animal" Society for the Study of Literature, Science, and Art. Durham, NC.
October 2004.

"The Future of MOOs" enCore Symposium. Nouspace online conference. September 2004.

"The Virtual Crystal Cabinet" co-author Steve Guynup. X3D Demo or Die. SIGGRAPH.
Los Angeles, August 2004.

"Beyond Human" co-author Steve Guynup. Educator's Program, Quick Take.
SIGGRAPH. Los Angeles, August 2004.

"Bespace: The Immersive Darwin Lecture" co-author Steve Guynup. Art Gallery,
Web3D. SIGGRAPH. Los Angeles, August 2004.

"18th Century Cattle or What is at Stake?" Society for the Study of Literature, Science,
and Art. Paris, June 2004.

“The Case of Garick, Cattle in Romantic Art” Society for the Study of Literature and
Science. Austin, TX, October 22 2003

“Digital Performance and William Blake” North American Society for the Study of
Romanticism. New York, August 2003.

3D Blake “Crystal Cabinet” co-author Steve Guynup. Exhibition at FILE-2003, the
Electronic Language International Festival. August 7-23 2003, Cultural Institution
and Museum ‘Paço das Artes’, São Paulo, Brazil.

“Living inside the Poem” Computing in the Humanities Conference,
University of Georgia, June 1, 2003.

Panel Organizer “Beyond the Archive: Immersive Textuality for William Blake’s Poetry”
Computing in the Humanities Conference, University of Georgia, June 1, 2003.

3D Blake “Crystal Cabinet” co-author Steve Guynup. Exhibition at Cornerhouse, Greater
Manchester’s Contemporary Art Centre, England, May 16 - June 22, 2003.

3D Blake “Crystal Cabinet” co-author Steve Guynup. "2003 Web3D International Symposium",
a SIGGRAPH conference, in St.Malo, France, March 9-12 2003.

"Romantic Cows" North American Society for the Study of Romanticism. London
Ontario, August 2002.

"Romantic Animals" Panel Organizer. North American Society for the Study of
Romanticism. London Ontario, August 2002.

"Romanticism's Influence in Contemporary Art" Eyedrum. Atlanta, July 24, 2002.

"Using MOOs in Romanticism." American Conference on Romanticism. Miami
University. Oxford, Ohio. November 2001. Discussion of FrankenMOO

"Doing Digital Romanticism" Round table discussion. North American Society for the
Study of Romanticism. Seattle, August 2001.

"Is Web Work Marketable in the Academy?" Modern Language Association. Washington
D.C., December 2000.

"Dizziness of Space and Time in Touring the Lake District." Group for Early Modern
Cultural Studies. New Orleans, November 2000.

"Cartography and Aesthetics." Society for the Study of Literature and Science. Georgia
Institute of Technology, October 2000.

“Mapping England: Enlightenment Science Founding Romantic Nationalism." North
American Society for the Study of Romanticism. Tempe, September 2000.

"Computers and Writing in the Literary Classroom." Computers & Writing 2000 Online
Conference E-forum. April 19 - May 2, 2000.

"Digging Transformation in Blake: What the Mole Knows about the New Millennium."
Modern Language Association. Co-authored with William Ruegg and Marcel
O'Gorman. San Francisco, CA, December 1998.

"Vectors, Trajectories, and Difference in Reading Blake." Society for the Study of
Literature and Science. U of Florida, November 1998.

"Virtual Forms Dramatic: Experiments in (Hypertextual) Transformations of Romantic
Texts." Computers and Writing Conference. Co-authored with William Ruegg. U
of Florida, May 1998.

"Topographies of Defiance in Selected Wordsworth Landscapes." American Conference
on Romanticism." U of Georgia, January 1998.

"Randomness and Selection: Methods of Reading Blake." Society for Literature and
Science. U Pennsylvania, November 1997.

"Textual Folds and Becoming-zoa." Graduate Student Romanticism Conference. U of
Washington, April 1997.

"Romantic Text/ Electronic Text: Designing a New Pedagogical Practice for Romantic
Studies.” North American Society for the Study of Romanticism. Co-authored
with William Ruegg. Boston, MA, November 1996.

"Line of Sight and Lines of Flight in Wordsworth's Guide to the District of the Lakes."
Peripheral Visions. Tufts University, October 1996.

     
  Teaching
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Georgia Institute of Technology August 2000-Present 

Select courses:
Romanticism
Romanticism and Technology
Eighteenth Century Literature and Technology
Technologies of Representation
Animals, Philosophy, and Art

Using MOOs to Read and Perform Literature
Communication and Culture
Science and Literature: Optics and Aesthetics 
Introduction to Cultural Studies: Visonary Selves and Virtual Landscapes
 

University of Alabama Instructor. 1999-2000

Survey of English Literature 1800-Present 
Survey of American Literature 1900-Present 
Introduction to Literature 
Introduction to Composition 

University of Florida Teaching Assistant. August 1994-99 
14 courses total, 7 in UF's Networked Writing Environment (a computerized classroom facility) 

Survey of British Literature 1750-Present: Revolutions in Thought Surveyof World Literature 1700-Present: Reading and the Other 
Special Topics: Visionary Selves and Virtual Landscapes (also taughtas honors course) 
Special Topics: Literature and Power 
Advanced Expository Writing 
Introduction to Literature 
Introduction to Composition 

Boston College 2 years Teaching Assistant and 1 year Adjunct Lecturer. August 1991-94 14 courses total 

Introduction to Literature Introduction 
Inroduction to Composition 

     
  Teaching Interests · Romanticism 
· Digital Technology 
· Animal Studies
· Rural and Urban Landscapes 1700-Present 
     
  Professional Service
 
 
 
 
 
 
 
 
 

abbriviated list

Book Review Editor Configurations 2007-present

Associate Editor for Romantic Circles 2000-present